Last Comic Standing: June 5 episode
Shashi Batia (we won’t waste the bold code on her name) was the audition from Hell or whatever they’ve been calling it. It wasn’t worth the wait.
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Francois Fly? We’ll repeat it, the Mel Silverback thang ain’t gonna happen again!
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“The San Francisco scene is a mixed bag,” says Stewart French… or French Stewart. He said it with a raised eyebrow (we could hear it). NO. No, it is not. Not in the way he implied. It only appears that way because the producers of the show scoured the earth for nitwits and put them up in front of you while the cameras rolled.
It’s not a mixed bag that has a disproportionate concentration of goofballs and weirdos populating the comedy clubs. Nor is it the sinkhole of talent that this show is leading viewers to believe. (They did the same thing to Los Angeles last week and they’re doing it this week to S.F.)
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“From the pretenders to the contenders,” says the voiceover, as we make the transition from the psychos to the alleged pros. The first “contenders” are the Meehan Brothers. It was 1977 high school variety show funny. The scouts nailed it when they said the brothers were reminsicent of street performers. Precisely. Not that there’s anything wrong with street performers– A. Whitney Brown started out as one– But we don’t see a whole lot of the Comedy Eye of the Tiger among street performers by and large. (It’s the nature of the beast– the “edgy” or “caustic” street performer is swiftly hurried off the corner by the police after several complaints are lodged.)
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We recall doing “yuppie” jokes back in 1984 or so. We also recall stopping with the “yuppie” jokes about 1985 or so. Here we are, 23 years later and we have Sky and Nancy Collins. It wasn’t funny in 1986 and it’s not all that startling or humorous now.
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Stewart French and Josh Gomez might be the most entertaining of the scout teams so far.
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They haven’t videotaped enough that they have to show Jeff Dye doing the Costco joke TWICE?!?!
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ALL RIGHT! Sheyla Almeida is shown yet again! More hits for SHECKYMagazine.com! (You wouldn’t believe the number of times this is showing up in our stats)
http://www.google.com/search?hl=en&q=last+comic+standing+big+tits
She was #9 in the Worst Audition Countdown.
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(Before we forget: We saw FOS Paul Ogata in the quick-cut montage at the beginning of tonight’s broadcast.)
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Jonathan Thymius made quite an impact– both in the afternoon and in the evening’s showcase. He’s the brains behind HollywoodComediansRadio.com, a podcast that interviews comedians.
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Nearly halfway through the show, we are consumed by the (irrational?) fear that viewers are of the opinion that this– borderline psychotics, fake boxers, strippers with no discernible talent other than to shake “it” and a man who punches himself, etc.– is what passes for entertainment at your local comedy club. And that they’ll dismiss the idea of going to a comedy club altogether. Or they’ll be sorely disappointed when the acts onstage don’t punch themselves or fake weeping or threaten folks in the room and make them feel uncomfortable. Which is worse?
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We reported on March 1 that the following made it through:
showcase:
Mike E. Winfield
Andy Haynes
Iliza Shlesinger
Jeff Dye
Drennon Davis
Whitney Cummings
Meehan Brothers
It looks like the Red Envelope was snatched back from Andy Haynes and Whitney Cummings.
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On to Toronto!
And we can’t look at Dave Foley without thinking about the time that The Female Half and Foley got into a screaming match with the Kid in the Hall at a bar in Hollywood called the Coach and Four. (It’s a long story, but it ended just about at last call with a handful or two of straggling patrons looking on and the ceiling lights blinking and the music cutting off just as Foley stands and bellows how many “American dawlers” he paid in taxes the year before.)
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We can’t escape the idea that the folks in the Funny Booth look like they’re on the toilet (as so many of the “contestants” have alluded to). The Female Half points out that most comics are probably more funny when actually on the toilet. (Although, we have no way of knowing, thank the good lord.) The Funny Booth is rare among innovations– it is neither innovative nor entertaining. It invariably results in squirming, looking away from the screen, bathroom breaks and trips to the refrigerator when you’re not even hungry.
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Why do all the obvious amateurs think that nakedness is their ticket to the big time?
On what planet, in what subculture, in what alternate universe is the exposure of more flesh than just the face and arms automatically an invitation to hilarity? Why are we seeing so many paunchy men wearing speedos? Why are so many contestants shirtless? And why are they all males? (There are notable exceptions– sometimes nekkid does lead to laughter. Witness our wildly popular short film, “Starting Over” here. We like to think that the nakedity is secondary to the jocularity.)
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How ill-suited is Fearne Cotton for this job? When one of the contestants told her that he had just written one of his jokes five minutes before he performed it, she… didn’t ask him which one! We here at home were stunned! Which one?!?! Which one?!?
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Keep this in mind when watching the show:
TV Guide: What’s the best line you’ve heard so far?
Bellamy: I like, “What do you call a dog with no legs? It doesn’t matter– he ain’t coming!” [Laughs] I was dying!
It was Derek Forgie who told it. But he didn’t tell seriously– he told it in the character of a Catskills/burlesque comic. (We must ask, Exactly where has Bellamy been all his life? Raised in Madagascar, perhaps? Although, we suspect that young Madagascarians had a variation on the joke involving lemurs with no legs. So Bellamy has absolutely no excuse.)
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We reported back on February 16 that Sean Cullen, Winston Spear, The Williamson Playboys and Brian Lazanik were given red envelopes.
Add Brian Lazanik and The Williamson Playboys to the “burned” list!
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We’re pleased to hear that Richard Kind stressed on at least two occasions, via voiceover, that he was amazed at just how difficult standup comedy is. The man seems to have tremendous respect for us standup comics. We wonder if Collette Hawley had anything to do with that?
12 Responses
Reply to: Last Comic Standing: June 5 episode
You also saw FOS Peter Greyy in the SF auditions for TWO brief moments–one coming to the stage and another laughing hysterically as the curtain rod came down on his head in the Funny Booth.I should probably stop talking about myself in the third person now, eh?pg–seattlePS–Props to Seattle: Jeff Dye, Andy Haynes and newly transplanted Jesse Case all got significant air time tonight. Yay us!
Oh, PLEEEEAAAAASSSSE tell the full Dave Foley story!
This analysis is so strange. You keep looking at the performers through the lens of “these people say that they do what I do,” but that isn’t their thinking at all.None of the really weird acts think that they are going to be the Last Comic Standing (Alien Warrior and the Fly guy excepted.) They are being strange precisely so they can <>get on television<>. Yes, it is frustrating that they are stealing air time from comics, but the producers obviously feel that the freak show is part of why people watch.You also seem to have a serious hair up your ass about sketch performers. Dismissing Sky and Nancy Collins for going after a “done” premise understates how well they do it. Similarly, Horrible People on My Damn Channel (with AD Miles and Kristen Schall) nailed the same targets. In the same vein, Derek Forgie was telling street jokes and doing Rip Taylor’s schtick and I found myself laughing anyway because he was kind of infectious.Finally – French Stewart, not Stewart French.
“charles” writes that our analysis is “so strange.”Here’s why it’s not: We do not contend that the weirdos “say that they do what I do.” However, viewers see them on a show called “Last COMIC Standing,” so, the implied message (which we gotta figure is getting through to some folks… and if it’s only a million or two, that’s eventually going to add up to some serious figures, it being the most powerful medium the planet has ever known) is that these people do what we do.How hard is that to grasp? More importantly, perhaps, is how difficult that must be to ignore. You gotta be in some serious denial to think that a bunch of dickheads on a show that purports to find the best at what you do is not going to warp the public’s perception of just what it is you do.Is it <>frustrating<> that they’re stealing airtime from comics? No. It borders on criminal. The producers disrespect the art/craft of standup by implying that there aren’t enough talented comics available to craft a show that contains only good, professional, serious comedians. And that a show built from same would not be entertaining. (Perhaps it’s more a reflection on their ineptitude and on the TV mindset, but either way, standup is getting reamed.)Finally, we’re less than thrilled that Sky and Nancy Collins are on the show because it’s more sketch comedy than standup. (If there were a show that was determined to find the funniest sketch team and a solo comic appeared on it, we imagine that sketch aficianados would be less than thrilled. It’s a fine point, but there’s no “hair up our ass.”)
When you say <>Why do all the obvious amateurs think that nakedness is their ticket to the big time?<>, you are implying that they are trying to make the big time. Clearly they are not. Or they are defining “big time” very differently than you or I would. You aren’t commenting on the producers, you are commenting on the performers. As for the contention that the average viewer thinks that they may actually see “guy with a house-hat” at a comedy club, I think you are severely underestimating the public. If I were not a comic I would take away that I might not want to go to a club on open mic night — but that probably isn’t bad advice anyway.Sure, you also lament the decisions made by the producers, but the criticism falls into two categories. 1) That they choose to be a contrived reality show instead of strictly a platform for standup comedy (6 seasons in and you still complain <>ad nauseum<> about this? get over it!); and 2) an artificial and pedantic reading of the show title. Yes, it is called Last COMIC Standing, but I spend most of my time performing in a scene that welcomes diversions from the person-with-a-mic style of comedy. The alternative scene in New York embraces improv, sketch, character and stand-up in the same shows with success (and it is starting to cross over into clubs like Comix). It was not a secret that the producers invited sketch groups to come on this year (in fact, I think you reported it) so the understanding of the producers of what constitutes ‘comic’ is broader than yours. Regardless of whether you are right or wrong about whether Sky and Nancy (or God’s Pottery, or the Williamson Playboys) should be on the show (<>NB<>: you are wrong), your comment was regarding the quality of their set. To be sure, these judgments are subjective, but… you are wrong about that also.Charles Starhttp://myspace.com/charles_star
Mr. Star:When we say, “Why do all the obvious amateurs think that nakedness is their ticket to the big time?” we are making what some would call a joke. A rather weak joke, but a gag nonetheless. Something to lighten up the proceedings. You’ll note that the mini-screed ended with a plug for our movie and that, in the middle was a somewhat obscure wish that maybe, once in a while, the naked one be a female. (And we also used the word “nakedity,” which, we’re fairly certain, <>is not really a word!<> This might be one tiny clue that we’re not as pedantic as one might think.)Is there no end to our pedantry?!?!We must be stopped! * * * Good for you, that you’re part of an enlightened scene that is inclusive and progressive! Not sure if you’ve been reading our magazine a lot, but we are purists. We like standup and we’re grumpy about the lines being blurred. We figure there’s enough variety within standup that we can be that way, tiresome though it may be to you and others like you.* * *And we figure that, even with our pedantry and our narrow-mindedness, we’ve managed to get a pretty puffy circulation, so we must be doing something right.And, that reminds us– there are plenty of other publications out there that might provide you with less consternation and fewer ulcers than ours. We suggest you seek them out and spare yourself the heartache of reading our drivel.You don’t like our approach? Get over it!
As much as I dont like the freak show part of the auditions, it is a standard part of the reality show contest formula. American Idol, and America’s Got Talent are the top rated shows on TV for their respective seasons, and they both do that. We have William Hung to thank, for proving that a train wreck is indeed good publicity. The freak show is a necessary evil…. and it makes for easily edited eye candy and sound bytes in promo. The good news is, it’s only during the audition episodes.
Hi everybody. Freak here!Francois Fly at your service.The unknown comic was a brilliant comedian as was Andy Kaufman. Both skirted the line between stand up and sketch, both were freak acts. Some of us “freaks” actually write, hit the open mics and do all the work of anyone else. We play with this art form and experiment with it and we try, for better or for worse to do something different.I know both sides of it as I do perform as a human also. Yeah, the Silverback thing probably won’t happen again, but that won’t prevent me from going for what exposure I can get? It’s what comics do yes? Can we blame the producers for wanting to showcase the very strange? This isn’t a show for comics any more than American Idol is a show for musicians. I think we all should just be stoked that they’re keeping stand up in the mind of mall America. And really, the auditions may be ridiculous, but the showcase part of the show is pretty much like any showcase I’ve ever attended. I sense an angry tone in some of the correspondence here. Let me say, I’m not angry. I’m typing this with a light keystroke and just making conversation. I’m glad you cover the show and I’m glad that people are talking about it.
Francois:Thanks for checking in. And it’s too bad that the presence of some of the less serious “freaks,” perhaps gives the impression that “freaks” like yourself aren’t approaching this whole thing in an honest, artistic/technical way.(But, it’s also too bad that the presence of some of the less serious comics gives the impression that a good number of competent comics aren’t approaching this whole thing in an honest, artistic/technical way.)But, Francois, we can relate: Both of us here started out as “freaks.” The Male Half tackled the open mikes for his first ten weeks dressed as a crayon and did five minutes of crayon jokes. The Female Half passed through a phase early on in her development mounting the stage dressed as a cheerleader, complete with cheers and kicks and pompons.And neither of us regret the moves. For a time, it did us each good, got us notice and we learned a lot.Drop by Francois Fly and say hey to the Fly Man < HREF="http://www.myspace.com/francoisfly" REL="nofollow">here<>.
The Crayon and the Cheerleader. Awesome. Would love to’ve seen that.By the way a better place to say hi to the fly is at < HREF="http://www.myspace.com/flycomedian" REL="nofollow">myspace.com/flycomedian<>Thanks
“When one of the contestants told her that he had just written one of his jokes five minutes before he performed it, she… didn’t ask him which one! We here at home were stunned! Which one?!?! Which one?!?”Over on the < HREF="http://www.NashvilleStandUp.com/" REL="nofollow">NashvilleStandUp.com<> forums, Jesse Case tells us that the joke he wrote just before his set was not aired as a part of the broadcast.
Watching this show is so frustrating! While some of the comedians on this show are clearly talented professionals, some of them seem to be on the show solely because of their looks or (young) age.And while I agree that the show helps create the impression that a stand-up comedian is someone who merely dresses up in a crazy outfit and/or humiliates himself onstage, it is also the only TV show right now that showcases stand-up comedy.