Editor's Note: The following real live email came
into the inbox here at SHECKYmagazine.com HQ. I decided to turn my
response to it into a column.
Dear SHECKYmagazine.com:
I am researching the role of a comic and/or comedian as an occupation and
have some general questions. I truly love to make others laugh but
have no information at all regarding what it would be like to be a full
time and paid comic/comedian. Before I "quit my day job" it
seems prudent to ask an expert some basic questions, which is the
purpose of this email.
1. Any idea about how many people are working as part time comics and
comedians? One obvious reason for this question is I want to know if
I will be competing with 20 million other comics, or just a few hundred thousand.
2. Once a person becomes a "proven" comic (one who can
and does make people laugh on command), how do they find places to
work?
3. What is a typical day like for a comic who makes his living
making, or trying to make others laugh?
4. Basically, what will I be getting into if I decide to become a
full time comic?
5. Of course, what about the dollars, dinero, jelly, geeters, yen, peso's
and so forth... There are obviously some big time comics around who are
funny and famous, some famous but not funny, and some funny but
not famous, but how much money can a typical comic (if there is such a
thing) expect to make? I am not too concerned about Letterman or
Leno or Chris Rock at this juncture, but more concerned
about the comic working the clubs at the local Improv, etc.
Of course, any other general information you could provide that you feel
might be of interest to me would be appreciated.
Thank you in advance for your time.
Sincerely,
Dennis Miller
Dear Dennis:
Allow me to take your questions one hunk at a time.
I am researching the role of a comic and/or comedian as an occupation and
have some general questions. I truly love to make others laugh but
have no information at all regarding what it would be like to be a full
time and paid comic/comedian. Before I "quit my day job" it
seems prudent to ask an expert some basic questions, which is the
purpose of this email.
There isn't much information out there. You've come to the right place.
It is very prudent to "ask an expert" before you "quit
your day job." So far, you exhibit some qualities-- intelligence,
curiosity-- which will be very handy if/when you decide to attempt
standup comedy. You exhibit other qualities-- caution, prudence--
which balance the other good qualities out. So, it's a wash so far.
1. Any idea about how many people are working as part time comics and
comedians? One obvious reason for this question is I want to know if
I will be competing with 20 million other comics, or just a few hundred
thousand.
We get this question all the time. From the press, from other comics,
from curious audience members. The answer? Who knows. It could be
2,000, it could be 5,000. You do seem to grasp that there are a
lot of them out there, so you know that you'll be one of many. Exactly
how many is subject to speculation. What you must do is figure out
a way to make yourself stand out among all of those others. But, if you
do that, and if you do that well enough, it won't matter if there
are 20 million comics or just a few hundred thousand, right? Think
of how many professional baseball players there are right now, as
compared to 30 or 40 years ago. Do you suppose that if Ty Cobb were
playing today, he wouldn't succeed? Of course he would. One
word of caution: Try to be a little bit less of a jerk than Ty
Cobb was.
2. Once a person becomes a "proven" comic (one who can
and does make people laugh on command), how do they find places to
work?
An amusing concept, this notion of a "proven" comic. Even
the best of us has those occasional evenings where we have great
difficulty making people "laugh on command." The only
proven comic is the one who is getting laughs right now.
Once those laughs die down, I'm afraid he has to prove himself
all over again with the next joke. Such is the unforgiving nature
of the comedy audience. The excellent comic is the one who
realizes the unrelenting nature of this challenge and summons the
energy and the wit to meet it as many times as it takes to appear
as though he can make those folks "laugh on command." To
put it another way: It never really gets easy. I've often heard
it likened to golf. I doubt Tiger Woods would ever shoot a round of
67 at August National and say to his caddy, "Well, that
was easy!" No one doubts Tiger's greatness, but Tiger
would never doubt the difficulty of shooting great golf. (If
you're looking for anything other than sports analogies, I'm all
out!)
3. What is a typical day like for a comic who makes his living
making, or trying to make others laugh?
There is no typical day for comic who makes his living in this biz.
I trust that you've been reading SHECKYmagazine.com for some time.
In the pages of this magazine, we've featured people (all of them
comics) who make their living in a variety of ways. I know you
probably want to know what a typical day is like for a comic who
travels from club to club, city to city, several weeks out of
the year, because this is probably how you imagine most comics
operate. However, I urge you to widen your focus, broaden
your idea of what a funny person might do to make a living and
save yourself a lot of time and frustration down the line. If you
manage to get a taste of that and you like it, go for it. But
bear in mind that there's a thousand different forks in that road.
Mitch Hedberg tells a joke in which he explores the
exact opposite side of the situation I describe above. He says he
got into standup to do standup. He expresses his frustration
at the number of people in this business who seem to want him to
do something else besides standup. "All right. You do standup,
but can you write?" he says, exasperated. "This is not
right. This is like if you were an excellent chef and somebody
said to you, 'You're an excellent cook, but can you farm?'"
I guess I bring that up to tell you that, no matter what you do,
there will be pressures to do something else. So, it
comes down to what you want to do. If you discard the
notion of what constitutes a "typical" comic, you'll
have that many fewer constraints on what you do and how you
do it.
4. Basically, what will I be getting into if I decide to become a
full time comic?
You'll have at your disposal an arsenal of double-edge swords.
Along with all the perks, there will be corresponding responsibilities.
You'll be self-employed, which means you'll have a lot of
freedom. Which means that you'll be your own boss. Which means
that you'll have to be a model employee. Or at least you should be.
Nothing worse than having the boss pissed at you-- when you're
the boss!
5. What about the dollars, dinero, jelly, geeters, yen, peso's
and so forth... There are obviously some big time comics around who are
funny and famous, some famous but not funny, and some funny but
not famous, but how much money can a typical comic (if there is such a
thing) expect to make? I am not too concerned about Letterman or
Leno or Chris Rock at this juncture, but more concerned
about the comic working the clubs at the local Improv, etc.
"Expect" to make nothing. You'll be pleasantly surprised
when you make any! But, seriously, it is a lot like a lot of
other occupations: The potential for great reward is there for
those who are willing to take risks, put in the hours and gather
and use the intelligence. There are no guarantees. In fact, there
may be fewer guarantees than in any other walk of life.
I know that sounds a lot like some sort of motivational speech leaking
out of a Holiday Inn function room, but it's all true. To put it in
a less Tony-Robbins kind of way: This is show biz, kid. If you're
looking for heart-pounding amounts of money, this is the place. If
you think that those bales of cash will come easier than bales of
cash might come to someone who is in real estate or selling Mary Kay
cosmetics or practicing as an attorney, you are mistaken. It's fun,
to be sure. But don't let the fact that it's fun obscure the other
fact that it's a lot of hard work and there's always something more
to be learned.
And, one more thing: Change your name. Yours is already taken.
|