Gone From L.C.S. Season III: Holcomb & Joyce!
We each called one. We each are batting .500, to put it another way.
The only good thing that Jay Mohr does is say, “Go see (Exiled Comic) when he’s out on the road!” One minor quibble: He uses the word “support” way too much. This is a pet peeve of ours. We cringe when we hear club owners or emcees thanking the crowd “for supporting live comedy” like we’re some sort of obscure diversion like chamber music or modern dance that might only survive lest the folks in the know come on out and (with the help of government grants or charitable trusts) support us. Ugh!
We’re not going to mention any names, but, it sounded like a coupla comics wrote the material on the way to the theater. Hey, if you’re going to be appearing on national television, doing two minutes (of television-clean material), why not buy some material? After Week #1 or #2, and your team has won $50,000, why not take some of the cash and commission some writer(s) to craft a couple of decent, coherent, Middle-America-pleasing two-minute sets.
New comics and fans are saying, “Why not just slice out a hunk of your club set?” Reasonable question, but it just ain’t the same. Just because somebody’s got 60 minutes of material doesn’t mean he’s got 30 two-minute sets at the ready, ripe for peeling off for use on a reality-TV showcase. There are… considerations. All that aside, there’s gobs of money at stake here. Why not buy some material and give yourself an edge. The whole affair is all so unreal. Why not come prepared with a tight, coherent, two-minute set or two… or three… and worry about all the other stuff later.
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Reply to: Gone From L.C.S. Season III: Holcomb & Joyce!
Questions raised during my LCS viewing:
Why do they call this the “Battle of the Best”, when it is actually the “Battle of Every LCS Contest That We’ve Had”
What’s with Rob Cantrell giving a mini-monologue on how he is a totally different comic than he was during LCS1 and then going out and doing the same jokes from LCS1?
Why does Tammy think that writing humorous material is not necessary?
Why does Tess think that the average comedy audience member will be down with wig humor?
And I love Vos, but why did he stop writing new jokes after 1985?
You have a problem with the term “Supporting?” What kind of marriage do the two of you HAVE, exactly?
Heh, kidding.
Really though, I don’t think that’s such a big deal. The fact is, comedy club patrons DO support us by coming out to comedy shows. If they didn’t we’d all be working regular jobs, and that is sure as hell not good for the economy.
It’s not ‘support’ so much as purchasing a service. I’d post more but I gotta go ‘support’ the pizza place across the street, if I have any money left after ‘supporting’ Exxon this morning.
-Shaun Eli