Last Comic Standing: Season Six!
So, we’re in Kansas City, and we’re on Central Daylight Time. And we’ve got an 8 PM show. So, there’s no way we’re going to be able to watch the show in real time.
So… we go to the Goodwill on Shawnee Mission Parkway and buy a big old clunky JVC VCR and hook it up to our hotel TV.
We call that dedication, people.
We come home after our show and we watch the entire, bizarre, revolting, emotional roller coaster. There are maybe eight entertaining minutes out of the ninety that were broadcast. If a comedy club presented that kind of ratio of entertaining to gut-churning, folks would be walking out.
Let’s remind folks of who made it into the final ten:
God’s Pottery
Adam Hunter
Jeff Dye
Ron G
Paul Foot
Iliza Shlesinger
Marcus
Jim Tavaré
Esther Ku
Louis Ramey
Sean Cullen
Papa C.J.
We remind you because some of our compadres out there– some other websites who are purportedly looking out for your comedy interests– are acting like they don’t know who makes it “into the house,” even though we posted the info on March 31. That’s seven weeks ago. Do they not trust our sources?
Last Comic Driving? Just when you thought they couldn’t come up with something more uncomfortable, something more demeaning, something more horribly contrived than Comics Unleashed— Ladies and gentlemen, we give you Last Comic Driving!
Why is it called Last Comic Driving? The comic… isn’t… DRIVING!
We gotta figure Andrew Norelli is accustomed to headlining. Elsewise, how could he be so comfortable being driven around while some hot babe is ignoring everything he says. (A feature act would be more comfortable actually driving around and delivering material… and having his every word ignored.)
New York. The “celebrity talent scouts” were Richard Belzer and Steven Schirripa. (Full disclosure: We’re working for Schirripa July 7-13 at the Riviera Comedy Club in Vegas, so we thought his work in this episode was absolutely spectacular! He might be the most insightful, compassionate and thought-provoking celebrity talent scout this show has ever had! Belzer? Not so much.)
Where was the footage of the “secret auditions” that we know were conducted around the country, in comedy clubs like the Atlanta Punchline? (We know that Josh Sneed won that particular showcase, but he was only shown in the background, for a fleeting second or two, over Bellamy’s shoulder, during the Gotham segment.) What gives? Why were we (The Male Half included) forced to fill out that voluminous release form if we weren’t going to at least be part of a snappily-produced package that showed Bellamy jetting all over North America, seeking the best and the brightest? Hell, it took some of us longer to sign the release than it did to do our sets!
What became of Aparna Nancherla? We reported back on February 8 that she earned red envelope. Come May 22 and we don’t even see her face in the background. Perhaps we didn’t scour the video tape well enough. Hey, she got a red envelope– we shouldn’t have to analyze the video like a CIA operative inspecting satellite images in order to see her. If she was good enough back in February, she should be good enough in May.
Why? So many WHY’s!
For instance: Why was so much emphasis placed on some gal who wears a whole lot of different outfits (Whoo!) when there were so many comics (Josh Sneed, Costaki Economopoulos, Jon Fisch) who– we guarantee— were perfectly capable of delivering solid, funny sets?
Why give all this play, shoot all this footage, lash together all these packages on people who just can’t possibly deliver when there are four or five or six comics who can? (We know they were there– we saw them standing in the background at the end of the evening set at Gotham!) It’s called Last Comic Standing and we’re mystified as to why costume changes and banana suits and Sith lords and strippers are given priority over comics who can make people convulse with a well-turned phrase, a punchline, a joke.
Esther Ku. She may well be a fine comedian. Some day. For now, she’s capable of delivering a four- or five-minute set at a showcase. It’s rather depressing. She is an amateur. If she wins– And, let’s face it, she’s made it to Vegas and to the Final Twelve, so there is every possibility that she might win– she will be perfectly capable of doing absolutely nothing in the way of standup comedy. Four minutes of material is hardly adequate for doing battle with a crowd of 40 or 400 or 4,000. What can come of her elevation to Last… Comic… Standing?
Tempe. We reported that Marcus, Phil Palisoul and Adam Hunter got the red envelope. We also reported that Alycia Cooper and Bryan Kellen got one, too. Cooper was unceremoniously “disappeared.” Perhaps she refused to sign the release. Kellen got a good amount of face time. But he was not depicted as victorious.
Marcus. We have nothing against impressionists. Impressionists are perfect cogs in the wheels of many a sketch TV show. They often carry those shows. But this is a standup show. We do have a beef with impressionists who have no jokes to go along with the mimicry. Perhaps his jokes were stripped out by the producers. If so, they have played a cruel joke on the man.
Fearne Cotton. The fabric of our lives? We don’t think so. She is a waste. An unnecessary bauble. A British accent and little more.
If we re-run the video tape and catch anything else, we’ll let you know. The show was so bad, we are actually considering taking the VCR back to the Goodwill and getting $7.98 store credit back. But that would get us very bad thrift store karma. And you don’t want that.
9 Responses
Reply to: Last Comic Standing: Season Six!
Aparna is on the stage at Gotham…but you’d have to look very fast to catch her.She’s definitely NOT on stage when Bill announces that only one more will be chosen–I assume that she’d already received her red envelope by then.pg–“I drove Marcus around the state of Washington for a month during last year’s Seattle International Comedy Competition. Which he won, by the way.”–seattle
I hate to sound like one of those “East Coast v. West Coast” comedians, but I was surprised — VERY surprised — at how solid the Tempe acts were compared to the NYC acts. Isn’t it usually the other way around, with NY being the Superbowl of comedy excellence and everyone else enduring places like Tempe to get there? It seemed surprising to me. By the way, Josh McDermitt — who was in the Tempe showcase last year too — remains a standout. Solid jokes and a good delivery. Why a good comic like him doesn’t get farther along on a show like this is upsetting to me and only underscores what Shecky! and others (Drew, Brett, etc.) has been saying about the flim-flammery going on in the backrooms of NBC and among the producers of LCS.
I really hate the way they present this whole thing. It gives people a false sense of what the comedy business is like and it just runs all over me. I keep telling myself, “it’s a tv show. ‘comedy’ is just the setting.. nothing more than a backdrop for another tv show.” The first audition they showed – the first guy on stage this season – was wearing a chicken suit. I think that sets the tone for the entire thing perfectly.
At the auditions, one of the producers gives a speech about how a red envelope is NOT a guarantee of advancement — they say that who moves on is contingent on how many total people they end up taking from other markets and what they can logistically support in Vegas. But they do say that an envelope means a 90 percent chance of advancing. I think that percentage is a bit high. So many envelope people will probably be left on the editing room floor in the next few weeks.
Based on what was shown on TV (admittedly a bad sample- how many talented comics were not shown or portrayed as hacks?), I thought Ku was perhaps the funniest comic on the show which is why she deserves to move on. If, later on, she proves to not have enough material THEN she should get the boot.I understand the passions involved, but sometimes the commentary here is similar to a person complaining that all American Idol wants to find is a boyish looking pop star instead of the most accomplished vocal talent- yeah, that’s sort of the point.Sadly, what it comes down to is who will get the most votes from the people sitting at home and not who is the most technically polished pro comic. I know it’s upsetting to pro comics and fans of comedy who have never stepped on stage (I’ll include myself in that last bunch), but NBC is interested in ratings and ad revenue, not the art form of stand up comedy. I’m glad Shecky advocates on behalf of The Art of Comedy, but I think your blood pressure might be helped from realizing it’s just another reality show with a veneer of stand up. The producers would rather have a train wreck with high ratings than a great showcase of comedy (which I still think would get good ratings but maybe it wouldn’t since you don’t see stand up on network TV outside of the late night talk shows).
Joe Willy said <>“Based on what was shown on TV I thought Ku was perhaps the funniest comic on the show which is why she deserves to move on.<>And, watching the same show, I had to remind myself that I’ve got friends who have seen Esther Ku be very funny while live on stage, because what I saw on tv didn’t impress me at all.And that’s why ANY competition for comedy is essentially irrational. Comedy is too subjective to be the basis for competition.Nevertheless, people seem to be drawn by the combination of subjective performing arts and competition–maybe BECAUSE everyone’s opinion is right…it makes for endless watercooler arguments.As long as there is an audience for such foolishness, there will be shows catering to advertisers hoping for a piece of the attention of that audience…and there will be venting of professional frustration at these endeavors from places like Shecky.And, perhaps your blood pressure might be helped from realizing that this is just another industry blog complaining about a reality show.Just as it can be entertaining to watch a train wreck, it can be entertaining to bitch about said train wreck. Or to bitch about bitching about said train wreck.pg–Guilty as charged!–seattle
Joe Willy writes:<>I’m glad Shecky advocates on behalf of The Art of Comedy, but I think your blood pressure might be helped from realizing it’s just another reality show with a veneer of stand up. The producers would rather have a train wreck with high ratings than a great showcase of comedy…<>Of course, you’re not telling us something we don’t already know and haven’t said here repeatedly. We could handle a “reality show with a veneer of stand up,” but we maintain that it can be done much better.The fact that it’s being done in such a clumsy and hamhanded manner– and that such obviously inexperienced acts as Ku are given such prominence– is astonishing. And exactly why it’s being done so poorly– laziness? stupidity?– is a mystery.We have long been resigned to the fact that this is not a show that will “find the funniest person in America” or whatever bombastic claims they make. We’ve been hip to the concept for a few years now.There are enough talented, experienced– and marketable– comedians out there that the producers could have easily created a reality show that had drama, humor and substance. And, at the end of it, they might have had themselves a marketable sitcom star.Note to pg:We like to think that what we’re doing goes beyond “complaining.”
FAR beyond, Shecky…that’s why I luvs ya!pg–Simplified diminishing for humorous effect to make a point, that was.–seattle
I was a little surprised to see Robert Hawkins standing in the background and not advancing. He’s top notch and they didn’t even mention his name.