It's just you
The Female Half received a review copy of “Is It Just Me, Or is Everything shit?” It’s authored by Steve Lowe and Alan McArthur with Brendan Hay. (The reason for the “with” authorship is that the first two are the authors of the “runaway bestseller” British version of the book, while Hay is the fellow who was commissioned to Americanize it for consumption on this side of the pond.)
Hay has written for The Daily Show, The Simpsons and Frank TV. The subtitle is “Insanely Annoying Modern Things.” The items are arranged in alphabetical order.
One of those modern things, (on page 47, sandwiched between “Colors of the Season” and “Coppolas: The Next Generation”) is:
Comedy Clubs
In every comedy club, the MC always kicks off with the lie: “We’ve got a great bill for you tonight.” His icebreaking banter involves asking the audience where they have come from. Perhaps inevitably, the answers rarely provoke high comedy, so the conversation very soon starts resembling distant relatives who haven’t met for many years exchanging pleasantries at a funeral. “So where did you come from?” “Minneola.” “Great.”
The first act begins by explaining that he’s “trying out new material.” Sadly, though, somewhere in his mind the phrase new material has become entirely disassociated with the concept of “jokes.” Fairly soon, it goes so quiet you can hear people pissing in the toilet.
After a few more minutes of no jokes, a bachelor party starts yelling: “Fuck off, you suck.” “No,” the comedian shouts back, “you fuck off.” When this has finished, the host returns to try to simultaneously to convey the two sentiments “Don’t do that or I’ll have to get tough” and “Please, for the love of God, do not turn on me.”
The pattern is repeated three of four times until the arrival of the headliner– or, rather, the pseudo-headliner, the actual headliner having canceled (a fact advertised by a small hand-written note stuck on a wall behind a curtain).
The bachelor party’s “fuck offs” will grow in intensity until you realize, as they trade unamusing insults with another bastard working through their “issues” by inflicting their paper-thin personality on people who have never done anything to hurt them, that you have paid good money to sit in a dark room listening to people bellow “fuck off” at one another.
3 Responses
Reply to: It's just you
Wow. Where to begin?
OK. First off, the reason the MC asks where everyone is from is to get an idea about the demographics of his audience so he knows which jokes will (or won’t) work.
2) No comedian in his right mind would ever open with new material, let alone announce that fact, unless he was at an open mic.
3) Anyone in the audience who is that disruptive should be 86’d from the club.
One can only assume that whoever wrote this book has not only never DONE stand-up comedy, but has never GONE to a comedy club worthy of the name. If he has, then I believe the correct response is, “With friends like these, who needs enemies?”
Why does the bad comedy experience have to be held up as the typical comedy experience? I used to love going to see live music, and even though most of the bands weren’t exactly Led Zep, no one walked away saying, “these guys aren’t good, therefore music sucks.”
If that’s the typical show he’s attended, he needs to go to some different clubs.
p.s. Doing crowd work isn’t for every comic, but in IMHO some of the audience’s favorite moments can come from that connection with the performer
And… if, as you say, this person has not only never done standup, but has never been in a comedy club worthy of the name, then we must ask:
How did he get the idea that this is what a comedy club is like?
Of course, we must assume that an awful lot of what was written was exaggerated for comic effect in order to fit the theme of the book.
However, the general thrust of the entry (and the horrid detail, so much of which is false) is part of a body of “knowledge” or conventional wisdom that has become ingrained into our pop culture. It’s a mystifying whispering campaign against the art/craft of standup that is equal parts, 1) borrowed from depictions that were concocted in the 50’s and 6o’s, 2) absorbed from gross distortions contained in accounts from mainstream print media in the ’80s and 3) taken from movie and television depictions from the ’70s, ’80s and ’90s.
None of it has any connection to reality, but it has become “truth.”
And it is what we’ve been combatting for ten years.