Comedy club chainlet Catch A Rising Star has announced the opening of a club in the Resorts Hotel-Casino in Atlantic City, kicking off their schedule with Tom McGillen, May 18. The room, on the second floor of the oldest casino in A.C. was formally occupied by The Improv and before that was home to an ill-fated venture booked by David Glickman (which boasted, on billboards, “Comics straight from Florida!”).

No word yet on the re-opening of the Catch at the Hyatt Regency Hotel in Princeton, NJ. That room has been closed down for several weeks while Hyatt redecorates their atrium, restaurants and bars.

Comedian Alex House was present when super agent Barry Katz relinquished ownership of his Boston Comedy Club (82 W. 3rd St. in NYC) Monday night. Her impressions:

Last night marked the end of a chapter in manager Barry Katz’s career. He officially “signed over ownership” of the club. While the future of “The Boston” (as it is frequently referred to by NY comics) is uncertain, one thing many comics agreed upon was that it marks the end of the only stage in New York that a comedian could actually “be themselves” on stage and not worry about lurking bookers or club managers telling them “more energy” or “keep it clean.”

E mail invitations to the event said it started at 7pm with an open bar & appetizers (chicken wings and celery sticks—I guess Jay Mohr‘s career isn’t doing THAT well). The event didn’t get into full swing until around 9pm when most comedians are just starting to get out into the clubs. The 10pm show/roast was hosted by Rich Vos, in a dead heat with actor George Hamilton for darkest tan. Any roast I’ve attended that’s been hosted by Vos is a guaranteed night of laughs—many at his expense!

A perfect example: Ben Bailey left the stage after recounting one of his memories of “The Boston” was making out with Sarah Silverman on the stage. Vos came back to the podium and said “Yeah, you kissed her after she blew me!”. Bailey’s response: “I thought I tasted hack!”.

Even though Vos lost that exchange on rebuttal, he had some of the best lines of the night. When he initially took the stage, a photographer started taking pictures. Upon finding out the photographer worked for “The Comical,” Vos said, “That’s how big this club is! Barry, you couldn’t get a real magazine to cover this story? What about the “Comedy Bible”? Were they too busy with a meeting with Shecky?”

Later on Vos lit up a smoke and said “This cigarette will only help the smell of the room!” and continued with “Sunday night Urban shows were always packed cause you knew the audience wasn’t going to work the next day!”.

Lewis Schaeffer who did an amazing job packing the room for the three years when he worked at the Boston as a doorman/host, flew all the way from England (his current home) to say a few words. He admitted though that he didn’t have anything prepared and proceeded to get annoyed at the silence from the audience. Vos returned and said, “That’s going to be a very long plane ride home!”.

Jim Norton never disappoints with his comments: “Vos is the only Jew who can’t make it in show business.” and “Barry Katz is the Mohammed Atta of comedy managers.” were just two of his jabs.

Katz closed out the evening with a bit of history about the club, how he came to be a manager, how he respects all comedians– even those who he no longer manages. He finally made a toast to fellow (deceased) club owners Manny (The Comedy Cellar), Lucien Hold (The Comic Strip) and comedian Bill Hicks.

An Eonline report from 90 minutes ago:

In a surprise announcement Wednesday, Comedy Central announced that the highly anticipated third season of Dave Chappelle’s show will not make its May 31 premiere date.

“Comedy Central has suspended production on the third season of Chappelle’s Show until further notice,” network spokesman Tony Fox said in a brief statement. “All parties are optimistic that production will resume in the near future.”

No official reason was given for the shutdown, but sources told E! News that Chappelle has been MIA from the set for weeks. There was no indication on how long the suspension would last.

It’s Tuesday morning and, like we promised, we held our drawing and we have three winners (we couldn’t find our Blaze The Balloon-Blowing Goat hat– we have a tendency to clean up from time to time and accidentally “hide” things on ourselves– so we downloaded a Random Number Generator from an Australian human resources website. We assigned a number to each entrant, inserted the high and the low into the RNG and POOF– we got our three winners!)

Here are the winners:

Tommy Fusco, Los Angeles, CA

Jerry (AKA Comedy King), Chenango Bridge, NY

Jouni Kallio, Jyvaskyla, Finland

Congratulations to all our winners!

Note to Mr. (or Mrs.?) Kallio: We’ll be using USPS Global Priority Mail to send your CD to Finland, but we’re not confident that it’ll ship without a hitch (customs and all that), so hang in there.

Note to comedians performing in Finland: Expect “Git ‘r done!” to sweep the Finnish comedy clubs! (Or perhaps a variation, “Git ‘r Finnish!” would be more appropriate!) Either one is likely, especially when one considers that the Finnish national drink, Koskenkorva (also known as Koskenkorvan Viina), is 38 per cent alcohol! To wit:

In the begining Koskenkorvan Viina was made only from potatos by distillation and sometimes from a potato-grain mixture, but nowadays the raw material is plain Finnish barley. Koskenkorvan Viina is distilled in southern Pohjanmaa, near Ilmajoki, Koskenkorva’s population center and is bottled in Primalco’s factory in Rajamäki.

Note to Jerry, AKA “Comedy King”: Is that you, Mr. Lewis? (It makes sense, really.)

You’ll recall that we ran an item or two about a gang of “cool hipsters” (Wired magazine’s characterization, certainly not ours) who were horrified at the prospect of stepping inside a comedy club to watch real standup comedy done by professionals. They were, instead, of the opinion that it was way cooler to watch amateurs going up onstage at the local chai dispensary and doing a standup version of karaoke. Naturally, we were horrified. And we ran an item on an NPR piece that spoke favorably of this phenomenon– and mentioned nothing about rights or royalties. Horror upon horror.

Then, we got the following email from Rob Liniger:

Dear Sheckymagazine.com Staff and Readers,

My Name is Rob Liniger and I am the president of Insonic Media™ …So what? Well my company launched a product called Jokeoke™. Hold on, before you start the hate spam, we are not the group of performers that you’ve read about. In addition to appropriating comedians’ material they have also ripped off our trademarked and service marked name. Apparently these Angry Waiters have no respect for any sort of intellectual property. That said, we do have a product called Jokeoke™ but it is a far different system than the standup version you’ve read about. In fact ours is billed more as a custom comedy TV channel for bars and restaurants to play on their televisions in the establishment.

Basically the system plays text jokes on a screen with an animated background. Primarily these jokes consist of one-liners, blonde jokes, lawyer jokes- – your basic laffy-taffy variety. In addition it also displays trivia questions. In between the content, ads are displayed for the bar. These ads can be anything the bar wants, promoting such things as happy hour, events, drink specials, etc. For the viewer it’s an entirely passive experience, just one more thing to catch their eye when curling is the only event being broadcast on ESPN 7. It’s a little hard to explain but if you go to our website and watch the demo, you’ll get a little glimpse.

So why do you care? Well the truth is we have always planned to have a standup version– again, before you blast me hear me out. My background is in the business music service industry for restaurants, retail, etc. So I am very familiar with licensing and royalties. Regardless of your personal feelings there is a market for Jokeoke™, and the hacks to try to mimic their favorite comedians will come out in droves. Prior to launching this however, our goal is to come to an agreement with the true artists and intellectual property owners of this material. In addition, we would like to come to a working relationship that creates standards that address the issues you and other comedians have. Issues such as not incorporating current acts and material; Issues such as paying or extending royalties for intellectual property and using a comedians likeness, etc.

Currently I am not familiar with a representative group that facilitates this type of application. If it’s music, I know to go to Harry Fox™, then ASCAP™, BMI™ and SESAC™. Our goal would be to promote comedians old and new; To create a new revenue source that pays for their work for years to come. Just as an example if a comedian got $.25 per DVD sold and I was able to push 2 million, that’s $500,000 more than the intellectual property owner had before. That’s just one example, there are many ways to develop this, and the plain and simple truth is that this won’t go away, so we might as well begin a dialogue now.

From my desk I see this as a benefit to comedians. Yes people will deliver the material poorly, yes some will make a mockery but it also will promote the industry. If done properly this can be a win-win-win for all. Now, with that off my chest I’m open to discussion, death threats, what have you. But let’s talk about it, let’s try to define, let’s mold it into something that can benefit us all.

Best Regards,

Rob Liniger
President
Insonic Media Corp.
www.jokeoke.com

Ya gotta love the names of some of the acts at this year’s NZICF:

Danny Bhoy, Michele A’Court, Cal Wilson, Dai Henwood, Fung Ku, Four Hangis and a Tangi, Gamarjobat, The Improv Bandits, Jeremy Corbett, Jo Randerson, Milos Wake, MC Hot Pink, Raybon Kan, Rhys Darby, The Topp Twins, The Umbilical Brothers, Zoohaha, I Love David Hasselhoff, Brendhan Lovegrove and Jeremy Elwood.

And you gotta love the amount of ink that the New Zealand Herald is spilling on it. The above was taken from an NZH piece on British comic Jeff Green.

New Zealand Herald writer Scott Kara turned in a whopping article on the NZICF, going on now through May 21. He says, “Even though the comedy festival is in its 12th year there is still the stigma that because it’s New Zealand it isn’t any good. It used to be the same with local music. Remember?”

Kiwi comic Michele A’Court is fired up and not taking it any more:

Ask A’Court about that stigma and she will say it’s well and truly alive. “It’s always fascinating to see at the Melbourne and Edinburgh festivals that comedians are revered and treasured. But here, for a while, there were rumours that standup comedians were prohibited from auditioning for TV comedies because obviously they were standups so they were s***. That’s exactly the opposite of what happens overseas.”

And Festival Director Hillary McMillan says:

“New Zealanders have the mentality that if it’s on TV then it’s okay, or it’s acceptable. And because there isn’t a lot of New Zealand comedy on TV they have this cringe factor about it. But, when people go out and see it [live] they’re actually surprised that it’s really good.”

Hmmm… sounds like comedians on the other side of the planet have similar problems to those of U.S. comics. Read the whole thing for a fascinating look into a whole other comedy world!

At 9 PM EDT, on Friday, on XM channel 151, they’ll be sat-casting The Readers Digest Joke-Telling Contest. Wholesome family fun for a good cause– Host Marlo Thomas (daughter of late comedian Danny Thomas) is taking up daddy’s cause, the St. Jude’s Childrens Research Hospital. Featured comics include Eddie Brill, Greg Giraldo, Rich Hall and Wendy Leibman and it all takes place at Gotham in NYC.

Nicki Gostin interviews Bob Saget and it’s available via msnbc.com:

What do you find funny?

For me it’s very funny to look the way I look which is very clean-cut and come out with the most immature, stupidest stuff. I used to be 9 and now I’m 15. I laugh at anything that has to do with toilets, sex. I’ll just do one dick joke after the other. I do a lot of testicle jokes too. No. I do a lot of what’s going on in the world. As crazy as this sounds I like to entertain people. When I do standup now they’re so happy and the applause is bigger at the end than at the beginning. It took me years to get that.

Later on in the interview, when he’s asked about how he sees his career, Saget rather disingenuously says, “I feel like this is chapter 2. My standup is a whole new thing.” Although he wasn’t a household name prior to his America’s Funniest Videos and Full House fame, he still had a reputation as a professional (and darkly funny) standup comic. (Thanks to reader Stuart McAllister for tipping us off to this piece!)

Sure, it’s a two-week-old story, but we stumbled across this item in the April 15 Norm! column (he’s the guy with the eyepatch in the Las Vegas Review-Journal).

The Amazing Johnathan is jumping from the Riviera to the Sahara because of a 100 percent rent increase.

He announced the move in an e-mail to the Riviera, saying his final show will be April 20. He plans to open his 10 p.m. show at the Sahara on May 6.

He blamed his landlord Norbert Aleman, the producer of “Crazy Girls” and “An Evening at La Cage,” for the breakup.[…]

Aleman, reached by telephone, said he agreed to a one-year deal with Johnathan’s rep in January. However, Johnathan came back and wanted a new deal with a different rep. “He made a deal and a deal’s a deal,” Aleman said. “Nothing personal, but he’s crazy.”

Note to Aleman: He’s not crazy, he’s Amazing! Some people.

Interesting, though, Mr. Johnathan’s resilience and tenacity. Four-walling is not for the faint of heart. And this is his third such deal in just a couple of years!

If anybody is heading to Calgary (whose FunnyFest starts tomorrow) or Montreal or Winnipeg for their comedy festivals, and you’re wondering what you might need to get into or get out of Canada, click here. (Be advised that the rules change on New Years Eve and get tighter and tighter for the following two New Years Eve’s.) For now, however, getting into Canada (and back into the U.S.) is about as easy/hard as it’s always been. From the website of the Canada Border Services Agency:

When you enter Canada, a customs officer may ask to see your passport and a valid visa, if one is necessary. If you are a citizen of the United States, you do not need a passport to enter Canada. However, you should carry proof of your citizenship, such as a birth certificate, certificate of citizenship or naturalization, as well as a photo ID. If you are a permanent resident of the U.S, you should bring your Permanent Resident Card (i.e., green card) with you.

NOTE: We take no responsibility for anyone goofing up and not getting in (or getting out)! Double check everything online or call your local travel agent! And, if you want to see how many Canadian dollars your US buck will buy, click here for the handy dandy Universal Currency Converter.

If an alien were to drop down on the planet and he wanted an explanation of the television show called Seinfeld, we’d give him the link to this article in something called Juice News Daily.

Another violation of the fiction convention of isolating characters from the actors playing them, and separating the characters’ world from the actors’ and audience’s world, was a story arc that concerned the characters’ roles in promoting a television sitcom series named Jerry. Jerry was much like Seinfeld in that Seinfeld played himself, and that the show was “about nothing”. Jerry was launched in the 1993 season premiere of Seinfeld, in an episode titled “The Pilot”. This story arc, along with other examples of self-reference, have led many critics to point out the postmodern nature of the show.

Although we find most musings on the departed “sitcom about nothing,” to be soporific and derivative, this one made some worthwhile points. (And we stumbled across a question for the ages: If Seinfeld was the sitcom about nothing, what, exactly, was I Love Lucy about?)

From the Associated Press:

Mayor Michael Bloomberg tried to get a promise from Conan O’Brien on Tuesday to bring the Tonight show back to New York when he takes over as host from Jay Leno in 2009.

“It’s not up to me, I work for the man. If he says ‘yeah,’ we’re fine. So we’ll talk,” O’Brien told Bloomberg, who appeared on his current NBC show, Late Night with Conan O’Brien.

The Tonight show, with Johnny Carson as its host, moved from Rockefeller Center to Burbank, Calif., in 1972.

NBC announced last fall that O’Brien will succeed Leno.

The implications are profound.

From AP:

George Lopez has undergone a kidney transplant with an organ donated by his wife. George and Ann Lopez “are resting comfortably in their Los Angeles home and are both expected to make a full recovery,” according to a statement released Monday by a publicist for the actor-comedian.

The operation occurred last week at an undisclosed hospital in Los Angeles. Lopez, star of the ABC comedy George Lopez, had a genetic condition that caused kidney deterioration, the release said.

From NBC 4 in Los Angeles:

Phyllis Diller was recuperating at a local hospital Monday after undergoing surgery over the weekend to repair small breaks in her neck, the 87-year-old entertainer’s manager said.

“She’s resting comfortably,” Milt Suchin said of Diller. “She’s in great spirits. Her line on Saturday morning as they were wheeling her into prep, she said (to the doctor), ‘You haven’t been drinking, have you?’ “

They’re still out there, the HellGigAmerica boys. And they’re continuing to faithfully post updates (hit “Road Updates”) on their HellBlog. There’s this, from Chuck Savage:

Frank Santorelli is one funny mutha fucker. i learned alot watching him last night. melvin george II, in hartford the night before was the same way. and after seeing 2 headliners like that, i started having a different kind of respect for east coast comedy. it’s like they have a reverence for a style of stand up that dates back to before folks in my part of the country HAD stand up comedy. tommy talked about it too, but…command of the stage and the moment.

Interesting. We’ve always been huge Santorelli fans. And it was our extreme pleasure to share many bills with Melvin in the 90s! What struck us about this post was that there might have been a stark, recognizable genre known as “East Coast Comedy.” From what we can discern, it encompasses a respect for “The Joke,” a low priority on being revealing or poignant and a premium placed on crowd control and timing (and less of a dependence on what has come to be labelled as “energy”). We got to thinking about it and it handily describes what has come to be known as “The 80s Comic.”

We recently taught a workshop and we noticed that the comics (many of whom were in their first year or two) were loath to simply tell a joke. (We’re not talking street joke here, we’re saying that they were reluctant– embarassed, maybe– to be seen as doing anything that sounded vaguely like a joke. Like a setup-and-a-punchline joke that might tip the audience off that they were… comedians. They were furiously laboring to create the impression that what they were engaging in was conversational, was authentic, was of their essence.

In the pages of this magazine, Dan French wrote a splendid piece sometime back about how to craft the ulitmate Los Angeles showcase set. (Thus, the title, “Your Showcase Set.”)

Standups horribly misunderstand showcases. We think they are about material, and being clever, and killing the audience. I have seen so many showcases where standups who are usually funny eat it horribly. They eat it because they expect the audience to do its share. Standups expect the audience to bring energy to the moment instead of expecting to have to supply all the energy themselves. They expect the audience to laugh.

We recall being stunned by the column at the time. When we lived in L.A., we observed none of what Mr. French described, but what he said made all the sense in the world. In the seven years since our departure from L.A. (the column appeared in our June,2000 issue– we fled Hollywood in ’93), the rules of Los Angeles comedy (or “West Coast Comedy”) had changed quickly and profoundly it seemed.

In 2005, we theorize that the influence of The Los Angeles Showcase (and all that goes with it) has so affected a generation of comics that folks like Santorelli and George stand out almost as a separate comedic species and, as we observed in our seminar, even up-and-comers on the East Coast of America are inclined to adopt west coast comedy sensibilities.

Let’s hope that the standup equivalent of the East Coast/West Coast rap war doesn’t erupt after the next comedy awards ceremony!

Click on the banner at the top of this page and you’ll be taken to the Just For Laughs Festival’s Tourism Package Shopping page! The folks at JFL offer 2-, 3- and 4-night packages, as well as weeklong deals and special VIP Gala and Prestige packages. (We plan on being in Montreal July 20-24 for our seventh Just For Laughs!)

You can choose packages that offer tickets to JFL events, complimentary drinks, Gala tickets, dinner, even a free stuffed JFL mascot (He’s the toothy red or green guy with the big honker)!

And, if you stress that you arrived at the JFL Tourism site because you saw the advertisement on SHECKYmagazine.com, you’ll receive a 10 per cent discount (or a free VHS, “50-minute VHS videotape of the best moments of the first series of Just For Laughs Gags. These non-verbal hidden camera gags on the street, in shopping malls, all around town and in the countryside are for all ages and funnybones alike!”).

We know that a lot of our readers are dedicated standup comedy fans who have been fascinated by SHECKYmagazine’s blow-by-blow accounts of the world’s largest comedy festival– Maybe 2005 is the year you’ll actually smash open that piggy bank and buy a JFL Tourism package and join us at the Delta Bar for a cocktail alongside some of your comedy idols! (And, if you see SHECKYmagazine.com personnel there come up and say “Hey!”)

Montreal seems like it’s far away, but it’s only a day’s drive for most of the folks on the Eastern Seaboard! And Montreal’s airport (Dorval) is serviced by most major U.S. airlines! What are you waiting for? There’s nothing like Montreal in the middle of July– especially when it’s crawling with some of the biggest stars of standup, TV and movies! Click now!

Somebody bought Johnny’s old microphone.

An anonymous bidder Friday snatched a piece of TV history, offering $50,787 for the microphone that sat prominently on the desk of late-night king Johnny Carson until the 1980s. The offer was about twice that expected at auction.

The label on the 10-pound Shure model SM33 ribbon microphone bluntly declares: “Johnny’s Mic… Not Ed’s… Not Fred’s” — a reference to announcer Ed McMahon and producer Fred DeCordova.

The auction house, Heritage Galleries, plans to auction off Johnny’s old desk as well.

Phyllis Diller is in the hospital. She’s 87. She’s in the hospital. And, by God, if we knew which one, we’d publish the address so you could all send flowers (which, by the way, you all should)! And we are hoping for a full recovery… because she’s Phyllis Diller, that’s why! Reports E Online:

The 87-year-old funnylady remains hospitalized in Los Angeles after tumbling out of bed in her Brentwood home and injuring her head and neck.

“She has a big bruise on her forehead,” manager Milt Suchin tells the Associated Press. “I think she blacked out…She just awoke and a housekeeper came in and found her on the floor.”

Note: She’s reached the status of “funnylady.” That isn’t even a word in the dictionary! She’s a comic in her 80’s— we are all just comics from the 80’s… She deserves our utmost respect! (You’ll forgive us if we’re a little touchy about la Diller– We just suffered through a week of Caroline Rhea jabbering on XMRadio promo spots about how her HBO special might “strike a blow for female comics.”)

Read the whole thing HERE.

We were down for about an hour. Seems we exceeded our bandwidth. We can think of worse problems to have. Over the past three weeks, we’ve broken all existing records for traffic. A confluence of events, some sad (Mitch’s death), some good (a hit in USAToday), have caused a surge in awareness of the magazine and a concommitant uptick in the traffic. And since the USAToday hit, other newspapers have picked up the story and run it in their publications, in whole or in part, causing smaller wavelets of traffic. (We welcome all the new visitors and hope that you bookmark us and return often!) We’re back up now. So, have at it.

The Drunk in Public tour is in Happy Valley.Ron White sat down with the Centre Daily Times for an interview:

CDT: What does it take to be a professional comic?

White: I guess you would have to absolutely love it because I don’t know what momentum carried me through. I mean, I am glad I don’t have to do it again, because part of it has to be pure ignorance that keeps you going.

Great comic, great interview.

According to the Palm Beach New Times article:

Fortunately for his fans, though, the Fort Lauderdale date will be the fourth stop on “Dave Attell: The Insomniac Tour.” The 35-city tour eventually concludes with shows in Las Vegas, as Attell and opening-act Sean Rouse meet up with fellow comics Dane Cook, Greg Giraldo, and Doug Stanhope, all scheduled to be turned into a feature-length concert film debuting on Comedy Central in October. Until then, Attell and Rouse will travel from city to city on a specially outfitted Insomniac tour bus. “It kind of reminds me of a special-needs bus — just pimped up,” Attell says.

Could it be the best double bill out there?

We know it’s an old article, but it’s fascinating nonetheless. It’s a Las Vegas Weekly piece, that we spotted when we were in Sin City last summer, on the Vegas business trend of four-walling.

…Back in the heyday of Buddy Hackett and Don Rickles, the casinos hired the comics. Wallace, however, essentially rents the theater from the Flamingo and promotes his own show. This makes him a small-business owner.

“I am the boss,” he says. “It isn’t just the marketing. Everyone works for me. My manager works for me. You got the sound guy working for you, the light guy working for you, the stage guys work for you, you got three assistants down there and wardrobe.”

There has never been a better article written on comedy and business, particularly marketing.

Though comics dominated the Strip in the ’60s and ’70s, these days, in addition to Wallace there are only a few permanent showroom stand-ups left in Vegas: Rita Rudner at New York-New York and David Brenner at the Westin among them. Wallace is the first to admit that, as well as being unbelievably funny, he is on this list in part because he is a very experienced marketer. Wallace majored in advertising and marketing and worked full-time in sales before quitting to take a job writing for The Redd Foxx Show.

“Redd Foxx was telling my jokes, and he was getting great laughs. But it seemed like he wasn’t doing them right.” Within a year, Wallace moved into stand-up. From the start, Wallace found sales and comedy similar. “In advertising I had to sell space, whereas in comedy I have to sell myself. It’s all the same business: making things happen.”

Read the rest here

Just got an unusual email from Nick Debrey, a comic whom we had the pleasure of working with at last year’s Calgary FunnyFest. Nick catches everybody up on his life before the big finish:

While performing regularly by night at Yuk Yuk’s in Toronto, I toiled by day as a Starbucks barista to pay my rent. From grinding beans I somehow managed to land a job as a school teacher (yeah, it sounds crazy but it’s true). So, despite my lack of a B.Ed or teaching experience I now teach French part-time to grade 6, 7 and 8 students. My life is roller coaster hey!?!?

You ain’t seen nothin’ yet. Apparently, Debrey is now headed to Calcutta. (That’s right the seething, crowded impoverished metropolis on the Indian subcontinent Calcutta.) For the purpose of “working with Mother Teresa’s Sisters of Charity. They’ll be having me work at the Ghandi Welfare Centre teaching math and English to orphaned street kids.”

Being somewhat acquainted with Debrey’s sense of humor, we naturally thought it might be a joke, but then we check out his blog, and, from all indications he’s headed to India for two months to teach orphans. And he’s shaving his head soon and donating the hair to kids who need it because they’re gravely ill and they’ve lost all theirs. Of course, all this altruism costs money, so feel free to follow the links on his blog to the places where you can donate money. He’s not quite a third of the way to the $3,500 needed to get to India this summer.

Folks can also send a check or m.o. to:

Freedomize
2255b Queen St. E., Suite 141
Toronto, ON M4E 1G3

and, says Nick, “please write “Nick Debrey” and “India trip” in the memo section.”

We just stumbled across this, after receiving an email that’s making the rounds:

Important News To All Our Fellow Comedians

We have recently come across an e-mail that we refer to as Comedy Rape. It seems that a resort with tons of money and an agent using the “this is a great vacation trick ” is trying to get Professional Comedians to work for FREE. If this comes to pass other resorts will want to take advantage of this and the results as you know would be disastrous. This is the last straw!!!!

This is the opening salvo from a website that promises to rally all comedians for the purpose of starting a union and putting an end to such dastardly “tricks” as the one described above.

Turns out the domain name is owned by a comic who’s been in the business for two decades plus. Last time we ran into him, February 7 to be exact, we were working at a resort in the Poconos, that mini-Catskills about two hours north of Philadelphia. (Full disclosure: That gig in the Poconos paid pretty crappy money and often provided the comic with a 1-1/2 star room– but, hey, it was a Monday night, so I took it!)

At the time, he too was regularly working the Poconos, and he was soliciting press kits and videos from comics for, according to him, the purpose of starting a booking agency.

Now, he’s bought a domain name that hosts a website that trashes bookers, owners and agents and calls for a union.

“If you think that these clubs, agents and bookers are not talking to each other about ways to set prices, well guess again…Remember they are only in it for THE MONEY!!!”

To which we reply: Well, DUH!

The site itself is totally anonymous– no indication of who the man is behind the curtain. But, it’s always been easy to find out who owns what when it comes to domain names. The website goes on to promise more things like a forum and a signup and lots more exclamation points and allusions to rape!!!!! (Actually, we threw that last part in… forgive us, we got all caught up– it’s all those exclamation points!!!!!)

Comedian Buzz Nutley has produced a comedy tour. He has recruited Jimmy Brogan, Cathy Ladman and Brad Upton to accompany him on some or all of the tour which, he says…

…will greatly appeal to his fellow mid-lifers, as well as those who are approaching that point in their lives: “people who, like me, are experiencing the challenges of work, love, parenthood, and more, and trying to balance it all on a day-to-day basis. We live in the richest nation on earth, yet we probably worry about more things than anyone else.”

That’s it, in a Nutley-shell. They’re starting out with a string of dates around Nutley’s native Pittsburgh, but the tour hopes to book up the entire nation. Check out their website.

According to a Reuters report, NBC President Jeff Zucker said “entering the generally opinionated world of blogs might be one way television networks could keep their grip on viewers who increasingly use the Internet for news.”

“I don’t know why Brian Williams isn’t blogging right now,” Zucker said of the anchor of NBC’s top-rated evening news program who took the helm after veteran journalist Tom Brokaw stepped down in December. “We should be looking for a more interactive component … and be experimenting more.”

To paraphrase Robert Blake from his Barbara Walters interview, “Where has Jeff Zucker been for the last two years?” He’s just getting around to exploring blogs and interactivity now? Glug, glug, glug… He’s also telling the assembled that he wants Katie Couric to blog as well. (On the same day that Drudge is reporting that Today fired their executive producer and that Couric is grumpy about having to wake up early. How long before that blog of Katie’s is written by an intern? Within days, it’d be about as genuine as that autographed 8 X 10 that NBC’s publicity department spits out for Couric’s fans.)

As bloggers, we know exactly why Brian Williams isn’t blogging right now– Blogging takes a lot of time and commitment. And, if a blog doesn’t have a little more than a whiff of authenticity and personal attitude, it’s about as must-read as a press release. Of course, this all has nothing to do with standup (but everything to do with blogging)… and, as we run a blog (and enjoy making fun of television executives on occasion), we feel justified in including the above observations in a blog about standup.

One line jumped out at us from the Borgata press release announcing their teaming with Electric Factory Concerts and their spring and summer lineup:

In a precedent-setting move, Borgata will make a year-round commitment to hosting the biggest comedic and musical performances in today’s contemporary scene.

The word “comedic” comes before “musical.” It’s the little things.

The Electric Factory people started out humbly enough in Philadelphia with a small venue that hosted the hottest rock acts of that era (the late-60’s, specializing in bands like the Chambers Brothers and Big Brother and the Holding Company) in a pychedelically-painted, free-standing building just off the center of the city. They’re now the kind of behemoth that causes Eddie Vedder to lose sleep at night. It’s significant that they stress comedy so much in their Borgata venture. This spring and summer, they’ll be responsible for bringing Dennis Miller, Dave Chapelle, Dom Irrera, Ray Romano, Dave Attell and Wayne Brady to audiences that draw from the entire Eastern seaboard and present them in a state-of-the-art venue.

A Cox News Service story on comedian Paul Zass and his bipolarity manages to avoid cliche and maudlin sentimentality:

…People who go into a doctor’s office for psychiatric ills come out with “crazy” stamped on their foreheads. Even as a professional comedian, in that rare job where loony and manic are complements, his advisers told him a mental diagnosis would end his career.

“What kills a lot of people with mental illness is the stigma surrounding it,” said Jones, a Cincinnati resident who has done standup comedy for 17 years under the stage name Paul Zass. “They won’t go and get help because they know once you’re diagnosed, you’re labeled as crazy for the rest of your life.”

Of course, the most famous comedian with the disorder is Shecky Greene— He always makes those “Famous people with Bipolar Disorder” lists that are all over the internet.

We had nearly 1,000 emails in our inbox. Never a good thing. Among those emails were numerous requests from comics to include their websites among those on our Comics’ Websites page and requests from clubs wishing to be included in our Club List.

We hope we didn’t leave anyone out or hit “delete” and accidentally turf any emails. If we did, please feel free to jiggle us and send another email along letting us know that we goofed.

Check out our Resource page, that has, in addition to links to our clublist and comics’ websites list, an explanation of the Comics’ F.A.Q. and how it all got started (and, of course, a link to it).

The followup to the Edmonton Journal story clears up a few matters.

Dick says he’s not surprised some people hated the show, but he insists he got plenty of positive feedback from patrons. The club was sold out for both Friday shows, he says, and the room didn’t empty while he was on stage.

“Nobody left, and if a couple of people complained, good. Once again, I did my job.

“I actually had a really, really, really great time, and I was completely shocked that they cancelled the shows, because I thought they went really good and I got a good response. I hung out with, like, 30 people after the show who … loved it.

“People come and they expect whichever Andy Dick they’re plugged into. If you’re plugged into the Less Than Perfect ABC/Disney Andy Dick, that’s what you’re going to expect. But if you know any of my live stuff or you saw the Andy Dick Show or you’ve been online and seen some of my more grotesque or weird or provocative stuff, then you’re going to expect that. It is impossible to please everyone.”

We can’t get the image of his penis wrapped around his wrist out of our heads.

Every Thursday, 5 to 6 PM PT, on KZSC 88.1 FM in Santa Cruz (and streaming live at www.kzsc.org and also podcasting) is “The Sound of Young America,” hosted by Jesse Thorn, who calls himself “America’s Radio Sweetheart.”

We make note of it because Mr. Thorn has gained a reputation and gathered listenership by insisting on interviewing a healthy number of standup comics on his show– Dave Attell, Todd Barry, Doug Benson, to name a few.

Has anyone ever heard a comedian not be a good interview? (That there is your rhetorical question.) We’ll make a Post-It and try to listen in on Thursday.

The Washington Times is reporting that Tom Hanks, Steve Martin, Will Ferrell, Cameron Diaz, Ben Stiller and Ray Romano will headline what producers describe as “an evening of comedy, music and message to raise awareness of issues concerning the environment”

They’re calling it “Earth to America” and it’ll be taped Nov. 17 during The Comedy Festival at Caesars.

“Comedy can be a very powerful tool to entertain and to educate,” said (Producer Laurie) David, “and that is the goal for ‘Earth to America.’ “

Darn near anything can be a “powerful tool to entertain and educate.” But why pick on comedy? Can’t comedy just be to make people laugh? Did anyone really enjoy any of those Comic Relief specials? On a standup comedy level? Do they really hafta piggyback an issue (or a boatload of issues) on top of a comedy show?

We’re of the mind that the education factor drags the entertainment factor way down. Unless Penn & Teller are the ones doing the educating– their Bullshit series was quite entertaining and informative, especially the one on what a hoax recycling is. (Better not let those two near the building when they tape this show!)

We just got written up in the Courier-Post, the Gannett publication that rightfully calls itself “South Jersey’s Largest Newspaper.” A short interview, in the South Jersey Living section. (The male half of the staff delivered the C-P as a kid!)

And, although Skene’s name is misspelled “S-k-e-e-n-e,”– one too many “e’s,” and it perpetuates the vicious lie that Skene has not performed in all 50 states (she has been a member of the 50-State Club for about 3 years now! See her bio for proof.), it’s a nice clip. (And McKim’s mother, a subscriber to the C-P, will no doubt be inundated with calls– at least a half-dozen– from area friends.) See the clip HERE.

We were down for a few hours last night, starting just after 9PM EDT…We figure it was all those people filing their tax returns electronically. Seems logical: Late at night, April 15, filing over the WWW’s never been more popular. We couldn’t even access My Yahoo!

However, we are (obviously) back up again!

According to the press release, this year’s version will take place October 3-9, 2005.

Back again, in its 3rd year, The NYC Underground Comedy Festival is the largest in the country with over 100 events in all five boroughs.

We’ll bring you further details as they become available. Or you could bookmark nycundergroundcomedy.com and hit them as well.

Just got an email from friend of SHECKYmagazine.com Larry-bob telling us of the existence of HBO’s website touting their recently-announced Las Vegas-situated fest in Noveber. Hit HERE to read all about it. (Oooh! Those HBO folks have done two subtle and significant things: They have named their festival “T.C.F.,” short for The Comedy Festival, which leaves no doubt that they plan to supplant that little confab in Montreal as the premiere comedy festival in the English-speaking world. Secondly, they managed to snag the URL http://www.thecomedyfestival.com, which means they’re serious!)

Also in that Larry-bob email was a link to his list of information on comedy festivals, purported to be exhaustive (and we believe him… and if we find anything missing, we’ll send it along to him)! Click HERE to be taken to Larry-bob’s fest info list. Note: Larry-bob, who runs qcomedy.com, has also included helpful asterisks, which denote those fests that are, for lack of a better term, queer-friendly! (Which means, “that festival has included queer comedians in the past” and that no asterisk, merely means that qcomedy is not certain!)

Love that Larry-bob! (Say, wasn’t that a series from the early 60’s? Starring Bob Cummings?)

…but for all the unexpected reasons!

We were ready to hate it. Instead, it’s just… dull and stupid.

As we read it, we began to wonder if it wasn’t written by Alexander Wolcott! Talk about your L-7! If someone had told us it was a Time or Newsweek piece from, say, 1993 or so, we’d believe it. It was very, “In my day…” and it had a lot of lamenting about a bygone era– with a stunning lack of awareness of the present-day comedy scene! We thought VF had a discerning readership. Turns out it’s Tiger Beat for people with post-graduate degrees.

The entire column was Vanity Square.

The only good thing about it was that it quoted from Franklyn Ajaye‘s “Comic Insights,” Gerald Nachman’s “Seriously Funny” and Larry Wylde’s “Great Comedians Talk About Comedy.” It made and remade points that have been debunked time and again right here in the pages of SHECKYmagazine.com. Perhaps Mr. Wolcott should think about getting internet access!

And the whole thing was doubly and triply odd when you consider that this article hit the stands hours after the death of Mitch Hedberg. Hedberg’s existence, his material, his legion of fans, his rock star status– all of it argued eloquently against nearly every insipid point made in this column.

It’s been a bad week for Brad Trackman.

First, some guy shows up at a comedy club, heckling the comics and claiming to be Brad Trackman’s father. (And threatens to return at the end of the month!)

Then, someone claiming to be Brad Trackman has left seven or eight messages on the SHECKYmagazine.com voicemail threatening to injure Editor Brian McKim! (And sent along some frothing-at-the-mouth emails!) Following is a transcript of one of those voicemails:

Phone Message
Time: 12:43 PM Date: April 12, 2005

Hey, Brian, this is Brad Trackman. I just received your email. Uh, what’s the deal with you not being man enough to give me a call? Dude, it’s “what you know to be true?” It wasn’t my fucking father, you fucking piece of shit. I mean, come on. Dude, I cannot wait to run into you…in person…okay? Be a man. Call me on the phone. I have your address where you live, too. And I’m very familiar with New Jersey. I’ll make a point… of, uh… of running into you. Real soon.

What is your problem dude? I don’t even know you. You’re some fucking hack who needs to write a fucking publication… Any comedian doesn’t need to have a magazine like this in the first place… I talked to Tony Comacho at Rascals. He says he doesn’t even book you because you’re such a terrible comedian. What is going on dude? What is this personal attack against me? I want a retraction…all right? What the fuck?! He’s not my father! Uh, dude I am pissed. I cannot wait to get you.”

USA Today called us “Charming, sincere and helpful!”

Would you call him back? (McKim says, “You should hear the one where he calls me a ‘little fagot!'”)

It would appear that the website, Jobs for Comics, has expired. We tried hitting the bookmark and got the ol’ “…could not be found. Please check the name and try again.” message. (The internet equivalent of “We’re sorry, that number is no longer in service.”)

But, never a publication to just sit around and do nothing when a perfectly good resource dies an unremarked and anonymous death, we have decided to do something about it. We’re going to put up a posting called “PAID GIGS” which will serve as a slimmer, streamlined version of Jobs for Comics. Here’s how it will work (we hope): We will encourage anyone who has a paid gig for a standup comic in America or Canada to hit the “Comments” button at the very bottom of the posting. Once there, we ask that the booker briefly lists the following:

Location of the gig

$$$ for the gig

How much time the comic’s asked to do

Address to send tape/press kit (if needed)

email address

Restrictions are as follows:

No bringer shows

No barker shows

No open mikes

It’s called “Paid gigs” for a reason. Also, it’s not called, “Here is my philosophy on what makes a great (booker/comedian/lineup)– Just list the fucking gig. Are we square? Good.

It will be free to the bookers. We hope they won’t abuse it. If the whole thing turns to shit, we’ll take it down so fast, it’ll make your head spin. And, if there’s wind whistling through it after a few days and no one bothers to post on it, it will come down– again, so fast it will make your head spin (along with a post-mortem, complete with speculation as to why it didn’t work).

As the posting slides down the front page, we’ll put a link in the upper left-hand corner that says, “Paid Gigs” which, when clicked, will take you to the posting page where you’ll be able to (if you’re a comic), read the postings or (if you’re a booker) post a gig.

See the PAID GIGS posting below!